Indie Rock Band Puppet Theory Release New Single Modern Boys


Indie Rock Band

Manchester based indie rock band Puppet Theory are made up of their Liverpudlian frontman Chris Pickering (vocals and guitar), Johnny Hearldon (lead guitar), Niall Musa (bass and backing vocals) and Paul Gallacher (drums). Drawing influences from early 2000s UK indie rock, classic pop-punk melodies and modern indie pop, Puppet Theory’s energetic music has begun to make waves in the North West of England, gathering a cult following of younger fans.

With their energetic live performance and memorable choruses, Puppet Theory have played some of the biggest stages in the North West of England, including Manchester’s Academy 2 alongside ‘Larkins’, Liverpool’s Hanger 34 and Preston’s 53 Degrees in addition to Manchester’s Dot to Dot Festival and Macclesfield Festival in 2018. In July 2019 they packed out Manchester’s Deaf Institute at their biggest headline show to date. 

The boys have gained support from This Feeling, Scruff Of The Neck, BBC Introducing in Merseyside and XS Manchester’s Clint Boon. 

With a growing reputation for high energy performances and unforgettable choruses that leave you with a night to remember, 2019 was certainly no different.

Gracing some of the biggest and most legendary venues in Manchester, and not forgetting popping up on some of the local festival scenes, these guys certainly left their mark on whoever got the chance to see them live. 

With 2020 now upon us, Puppet Theory now set their sights on a string of new year releases of arguably their best material yet.

With radio plays from BBC Introducing, BBC Radio Wales and Kerrang! Radio, the band look to build on top of the successful foundations that their previous single Katia laid.

Their latest single, ‘Modern Boys’, the band say”  Modern Boys is an almost satirical song about modern boys and girls. They try too hard, they think a lot of themselves but they can’t afford to take you out on a date. The band wanted to write an up-tempo track with both modern and classic indie influences to reflect the modern theme of the track’

Indie Rock Band Puppet Theory Release New Single Modern Boys

 

 

LINKS TO PUPPET THEORY

Spotify: https://open.spotify.com/album/05QgI3DJN50yTq6tSFNyUS?si=GyAd3b3DRBm0yD40-r1UeA

Website: http://puppettheory.com/

Facebook:  https://www.facebook.com/wearepuppettheory/

Instagram: https://www.instagram.com/puppet_theory/

Twitter:  https://twitter.com/puppet_theory

Indie Rock Band Puppet Theory Release New Single Modern Boys

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The Storm Builds With Puppet Theory’s New Single, Katia 


The Storm Builds With Puppet Theory’s New Single, Katia

Indie Band

Manchester based indie rock band Puppet Formed in Manchester in 2016, Puppet Theory was founded by guitarist Johnny Hearldon and joined by Chris Pickering (vocalist), Niall Musa (bass) and Paul Gallacher (drums). Taking influences from the early 2000’s indie boom, pop-punk and American rock, Puppet Theory have set about writng an energetic brand of indie rock music with memorable choruses. This has allowed them to blend elements of modern synth with the traditonal the indie-rock sound, drawing comparisons to The Killers, Circa Waves and Catfish and the Bottlemen. 
Katia’s themes will ring bells of relatability with its listeners. It is a song with two themes and two meanings:
The first is a tree in a storm; leaves falling, branches breaking, it’s a long night to be a tree in a storm, but they almost always stay standing through the hardest events imaginable, clinging on by the deepest of its roots. The other theme runs alongside it and digs a little deeper. It’s a song about mental illness.
Sometimes events in life can knock us, break us and shake us, but if you dig in your roots and hold on tight then you’ll be alright. It’s a song about inner strength, life’s hard times and overcoming them.
Musically, Katia slots in well into Puppet Theory’s repertoire. Following typical crystal clear vocals alongside staccato guitar and swelling synth pads, the second verse’s drum beats march new listeners towards the chorus with subtle hints of house-style synth. Mimicking the lead guitar, Chris’ vocal melody repeats throughout, ending the chorus in a desperate cry of ‘Katia’. After a short instrumental post-chorus, the third verse thunders in with driving guitars and heavier drums as the metaphorical storm builds in strength.
Chris’ meaningful repeated line of ‘it’s going to be a long night’ ends the verse before returning to the chorus. A crescendo of synth and guitar greets the listener as the middle 8 grows and swells into a dramatic end to the storm that is Katia before dropping out completely, leaving just Chris and an acoustic guitar crying out ‘Katia’. The storm has passed.

 

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