Chief State Could Easily Be Opening Up For Larger Bands


Punk Rock Indie Band

Chief State – ‘Tough Love’

Good Ol’ Fashion Bona Fide Music From Dallas Cosmas

So it’s February 2020 & I have to say Pop-Punk has been off my radar for a while.

Had the pleasure to be re-introduced via some new blood ( they formed in 2016 ) who hail from Vancouver, British Columbia.

‘Chief State’ is a five piece of young lads who have an album being released late March through ‘Mutant League Records’.

Their new collection of songs has been titled ‘Tough Love’ & just a few days ago their new single (Reprise) debuted its video.

The track opens with high energy riffage & It’s matched with the angst-coated scream of,

“I’ll Tread Light Where You Lay, I Should Be Pushing You Away”

Ah now you see, that’s what I’ve been missing!

Catchy guitar licks follow to lead into an anthemic chorus, perfect for a bunch of punters to chant along to
while the clacking of skateboards is heard in the distance.

‘Chief State’ have stuck to the structure that has made this genre popular & it must be hard to bring something fresh to the plate.

Frontman Fraser Simpson’s lyrical content is written from personal experience & ‘Reprise’ has depth I hadn’t personally felt from punk in a long time.

These guys could easily be opening for larger acts & dare I say, leave some of the dinosaur bands thinking they need to step up their game.

Looking forward to the new album release but for the single I’m giving 8.5 Maple Leaves out of 10

 

Struthy’s 8.5 Maples Leaves

Music Rating Music Review

 

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PRE-ORDER ‘TOUGH LOVE’

Good Ol’ Fashion Bona Fide Music From Dallas Cosmas

Heavenly and Alluring New Single from Madeline Finn “Love Me Like I Love You”


 

Indie Artist

The moody, midtempo “Love Me Like I Love You” showcases Finn’s musical range. Her voice is open and honest–resigned, disappointed, and melancholy–as she comes to the realization that it’s best to let a partner go, since their emotions just aren’t aligned (“You don’t bend me like I break you”). And while driven throughout by brittle piano, “Love Me Like I Love You” is bolstered by sighing backing harmonies, heartbeat-steady drums, and a thundering bridge full of scorching electric guitar fuzz. 

Madeline Finn touches on a wide range of sonic directions in her solo work: sparse folk, meditative piano ballads, twangy rock, and string-laced indie. Luckily, the Cleveland-raised singer-songwriter is also the rare vocal talent with the range to handle just about any music she wants to write. She’ll howl and whisper, rage and mourn, croon and conspire—always with breathtaking precision and heart-piercing sincerity. A Top 70 American Idol finalist in 2018, Finn has also fronted two bands (the pop-punk-leaning band Envoi, Americana-tinged trio Whiskey Hollow) and toured throughout New England, the Pacific Northwest, and her adopted hometown of Nashville. Currently she’s looking to put out a new solo album mixed by Dave Schiffman (Jimmy Eat World, Weezer, Frank Turner) later this year. Stay tuned to Madeline Finn’s  Website for the latest info, or follow her below. 

Heavenly and Alluring New Single from Madeline Finn “Love Me Like I Love You”

Shows:
Mar 01 Nashville, TN – Bluebird Cafe

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Good Ol’ Fashion Bona Fide Music From Dallas Cosmas


Australian Indie Artist

Dallas Cosmas – ‘Hand In Hand’

Good Ol’ Fashion Bona Fide Music From Dallas Cosmas

If you are a lover of the independent music that screams the warmth and celebration of woodstock, and the good ol’ fashion use of genuine music comprising bona fide instruments, then I suggest you take a listen to the work from Dallas Cosmas.

 

Dallas Cosmas is one of the Melbournian artists where there must be something grand in their water-ways oozing music talent organisms or something of that nature.

He is certainly no new-comer, having been the man behind many productions and musical endeavours for over three decades.

His latest release, ‘Hand in Hand’ from the album ‘Alpha Betta Gamma’ remains in line with the melancholy experience whilst rising above with commemorating melodies.

What may be a new auditory experience for millennials and Gen Z, Cosmas sits firmly in the credible era of music with the likes of Janis Joplin, Jimmy Hendrix and Ike & Tina to name a few. (google those Gen Z and listen well)

Lavish gospel backing vocals are a stand out in ‘Hand In Hand’ in association with authentic drumming and guitar.

The rejuvenating music video shows the coherence feeling of ease as with many, in a time and world before when the widespread populace enjoyed viewing the going-on’s within the studio and recording process as a simple music video that still remains engaging and entertaining to watch.

 

Tracey gives 4 out of 5 stars.

4 Star Rating

http://prototypemusique.com/

SPOTIFY

Good Ol’ Fashion Bona Fide Music From Dallas Cosmas

Australia’s Indie Artist Parker On The Right Track To Succeed


Parker is not just a singer, but a visual artist, songwriter and musician whose obvious experience has helped path the way for where she stands today.

Her recent release, ‘Become The Fool’ is just a taste of what’s to come , as this inspiring indie artist has clearly worked hard with great thought, a prominent team and  has reached out from beyond with guidance to better herself and find her mindset within this brutal industry. 

It’s obvious this young woman is in control of her destiny and has taken the time to manage and find who she is as an artist and what’s important to her to succeed in the music business.

You will see and hear, Parker’s music is not only about the song, not just about the voice; but about a complete musical and visual experience as an art form. 

Parker is one to watch and enjoy her journey and her rise upwards. We have no doubt, it won’t be long before Parker gains audiences from all over the globe. 

 


Australia’s Indie Artist Parker On The Right Track To Succeed

MT: Who are some of your musical influences? When did you know music was your calling and when did you figure out why you needed to pursue music as your career?

Parker: Dolly Parton is one of my biggest musical influences.  Her effortless vocals and flawless songwriting continue to inspire me to this day.  As a kid I spent a lot of time on my own in the bush writing songs about my imaginary friends and singing to myself.  I guess I’ve always known that singing and story telling was my destiny.  I’ve always felt a strange sense of responsibility to use this incredible gift (my voice). So long as I’m singing I’m on the right path. 

 

MT: Your vocals on your current single, ‘Become the Fool’ are so enchanting, smooth, well controlled and so easy to listen to, which is such an important factor for songs, as so many singers feel the need to over sing. How long have you been singing for? 

Parker: I’ve been singing as long as I can remember.  It just came naturally to me.  As a 2 year old I would sit next to my dad at the piano while he played Everly Brothers songs and I would hum along.  I joined the school choir when I was 8 years old and performed as a soloist.  When I went to boarding school I didn’t study music but I would sneak down into the laundry room at night and practice.  A few years ago I had some formal lessons which really helped me to find the depth and quality I use in my voice now.   The most important part of a vocal performance is not the singing technique though.  It’s embodying the emotion and meaning of the words.  Humans are incredibly discerning when it comes to the subtle nuance in tone and delivery of language. 

 

MT: Who do you enjoy listening to as a fan? 

Parker: I love listening to anything I can sing along with.  Joni Mitchell, The Carpenters, Sheryl Crow and Robyn have been on my recent road trip listening playlists. I also love listening to movie soundtracks.  Chocolat by Rachel Portman has been on repeat at home recently. 

 

MT: When was your very first recording and release? 

Parker: I recorded my first album of songs in 2003 in Perth WA at Kevin Bloody Wilson’s home studio. (writing that sentence sounds absurd but it’s true!!!)  It was a country record and I sold over 2000 copies at shows performing in the Kimberley and Northern Territory.  Luckily for me this was all before streaming music was a thing so this album is not online anywhere.  You’ll just have to imagine how cute I sounded with my country twang singing about teen heartache.  

 

MT: Can you explain more about the meaning of the ‘Become the Fool’ and how it ties into your music goals?

Parker: Become The Fool tells the story about being left by the person I loved and the realisation that I had scarified too much of myself and my dreams for them.  It is such a common experience, in fact I think we all do this at least once in our lives. We often use helping others as a distraction when we are afraid to shoot for our own dreams.  Now I put all of my time and energy into my own music and art practice and I am incredibly grateful to have been set free to do so. 

 

MT: Can you explain a little bit about your song-writing process? 

Parker:  Become The Fool was co-written with Becki Whitton and Hans Van Vliet.  I love collaboration and I love this writing and production team we’ve formed for PARKER.  I often start songs in short bursts, usually a one hour session just getting down ideas.  Then I send these through to Hans and Becki and we flesh out the arrangement and refine the lyrics and vocal melodies together.  I used to just write alone but finding this new collaborative way of working has really helped me develop my skills as a lyricist and vocalist. 

MT: As an independent artist, it looks like you have an amazing team around you. Who makes the final decisions on your songs, production and even direction of your music?

Parker: I think of myself more as a curator of this music project.  I guess I have the final say on all the creative output for PARKER but I work with the most incredibility talented bunch of musicians and artist that most of the time I just let them do their thing.  When ever I work with someone I give them as much creative freedom as possible.  My role is more to help them feel confident and challenged at the same time.  I want everyone I work with to feel like they are making the best work of their career so we set the standards high but also make sure there is joy in the process.

 

MT: The music video to the single is incredible as it makes the viewer feel like we are there within the 3D imagery as it jumps out. Can you tell us how this video was filmed and how the idea of how it was created came about?  

Parker: This clip is all Hans Van Vliet. We were going to release Become The Fool without a video but once we had locked in the release date Hans came up with this idea to create an animated clip of a dancing figure using the game engine Unity.  He had been researching some new motion capture and fabric simulation software and all he needed was a design brief for the environment.  Earlier last year I had been working with an amazing multidisciplinary artist and photographer from Tasmania, Tim Kling, and he suggested I look at Bauhaus design and photography for inspiration on the visual assets to accompany this single.   Hans researched Bauhaus design and colour theory and modelled the city on famous Bauhaus buildings and photographs.  The colour for the cloak was a pattern paying homage to Anni Albers fabric works.  For the closing credits I worked with an incredible young photographer from Hobart, Jacob Collings.  I made a version of the cloak from the video with the help of my niece and we used it for the press photos to accompany this release. 

 

MT: What has been your biggest challenge in your music career so far? How did you overcome that obstacle?

Parker: Overcoming my own fears and limiting beliefs about my ability to be a successful artist.  I have been working with an amazing Creativity Mindset coach for the past 5 years.  Mijo Biscan works with artists and musicians and provides them with an amazing set of tools for goal setting and time management.  Self managed artists often struggle to focus their time and energy effectively.  Mijo keeps me accountable to the promises I make to artistic practice. I would not be here without his constant support, encouragement and guidance. 

MT: From what you have learned about your challenges in the music business, what advice would you like to give upcoming independent artists? 

Parker: Don’t get distracted by the business side of things.  You are an artist.  Your job is to make art. 

 

MT:   Besides singing, do you play any musical instruments? How long have you been playing them?

Parker: I’ve been playing guitar since I was 16 and I have recently learned to play piano. I still write mostly on guitar or ukulele and I perform on these instruments in another band Runaway Belles with Emma Anglesey. 

 

MT: What’s a typical day for you? Do you work on your music every day? What other activities or hobbies besides music do you like to do that your fans may like to know about?

Parker: I always start my day with a gratitude practice.  Then I make a cup of tea and walk around the house and garden talking to my plants (like a crazy person).  I have a huge collection of indoor plants and a beautiful established garden that hosts native birds, lizards, wallabies and the occasional echidna. After this I read my goals for the year and do 10 minutes of journaling to help focus my day.   I work from home full time on my music and art.  I have a daily practice of vocal exercises, piano practice and rehearsing songs for any upcoming performances or recording.  Collaboration means I am often checking in with the people I’m working with on projects.  At the moment I have some live acoustic videos that I will be filming in March with Ladychoir and my band so I have to send through storyboards and work out production specs for those.  I’ve also started rehearsing for the Costume Dream Palace support shows so practicing my parts and sewing cloaks is going to be filling my time for the next few weeks. I usually take a break for lunch and meet up with friends in town at one of my favourite cafes. At the end of the day I love going for a run and a if it’s warm enough a swim in Cataract Gorge.  I’m generally in bed by 9pm.  I have a strict ‘no tech after 9pm’ rule.  

 

MT:   What’s next for Parker? What are your music plans for 2020? Will we see an EP or Album? 

Parker: 2020 is going to be a year of singles.  Hans and I have committed to making amazing music videos for every song so we’ve got our work cut out for us.  I will release 3 more singles and then we have a writing break at the end of the year to work on some more material.  I also have an art exhibition at Rubicon ARI in Melbourne in July in collaboration with Drawer/Sculptor Jo Lane.  And I’ve applied for some residencies for art-making and songwriting in Europe later this year.  So there will be plenty of songs and art for everyone to enjoy this year and next.

 

MT: Do you perform live? Where can people see you perform next; are you planning on taking your music out to the fans? 

Parker: I have just been invited to support Costume on the Tasi leg of their national Dream Palace theatre tour.  I’m so excited as these will be my first shows with my new band.  I’m sure these will be the first of many performance opportunities for this year. 

I’m also going to be recording some live acoustic videos this year so be sure to keep an eye out for those.

 

MT: Do you have any specific rituals or do anything specific before you head out on stage or even before you record your vocals in the studio?

Parker: When recording vocals with the amazing Becki Whitton we spend time discussing the emotion of the song (and eating cake).  I before I do a take I visualise myself as the character and in the environment we’ve discussed – for example I recently embodied Mother Earth for a song we wrote about the future of the human race. 

Before a performance I usually wish everyone on the team a great show including all the crew who work behind the scenes.  They are the ones who make a show possible and very rarely get acknowledged for their performance.  

 

MT: Thank you so much for your time Parker, I really appreciate it and all the very best with ‘Become The Fool’ 

 

Australia’s Indie Artist Parker On The Right Track To Succeed

Australian Songbird Daisy Spratt Looking Ahead and Giving Back

Links To parker

 

Australia’s Indie Artist Parker On The Right Track To Succeed

Shelly Segal Hit’s all The Right Notes with New Single ‘NO’


Shelly Segal Hit’s all The Right Notes with New Single ‘NO’

Australian Singer Indie Artist

LA-based songwriter Shelley Segal has her released latest single No, a modern, bold and assertive track that describes the difficulty many women face when turning down sexual advances. 

Shelley has also announced her masterful new EP Holy, a masterclass in intimate lyricism and exciting, innovative Americana, set for release on November 1.  

The Australian musician has been living and working in Los Angeles for three years, writing and recording Holy in the US while touring and collaborating on a host of noteworthy artistic projects. 
 
No has a sentiment that will ring true for many women who have found themselves in a situation where it was almost impossible to say the word.  Driving guitars and textured percussion propel the track forward with serious attitude, while Shelley’s honeyed vocals carve a stunning melody on top. 

Speaking on the inspiration behind this important track, Shelley explains,

No is a song about consent and the subtleties surrounding it.  It describes three different scenarios in which the protagonist finds it difficult to say no to sexual advances.  I wrote the song because even though it’s 2019 and so many women feel comfortable asserting themselves and speaking up for themselves, and even though there has been so much public discourse and progress on these issues, there are still scenarios where it feels hard to say ‘no’.  You can find yourself in a situation that you don’t want to be in and yet be unable to express that.  It’s not always easy in the moment to process the potential consequences that may come from your reaction.  Like the examples in the song for instance, in a work environment, in the street with a stranger.  Saying ‘no’ can create adverse outcomes like risking your job, or your safety.  This discussion around consent is not as straightforward as maybe we would like it to be and I wanted to reflect on those nuances.”

No is the first taste of Shelley Segal’s glorious new EP Holy.  This is an artist who has truly found her feet; Holy Man shines with energetic roots, rock riffs, skilled arrangement and Shelley’s undeniable lyrics and beautiful vocal performance.  San Antonio tugs at the heartstrings, a simple acoustic track with a deeply affecting message, while Holy is steeped in attitude and power, as Shelley sings, “I believe my body is beautiful, and it belongs to me.” 

The EP was recorded in Brooklyn at Atomic Sound Studios with Dakota Bowman and Merle Chornuk (Tandy, Ryan Adams), it was produced and co-written (3 songs) with New York producer, guitarist and film composer Askold Buk and was mastered by Ted Jensen (Norah Jones, Dave Matthews).  Speaking on the making of the release, Shelley enthuses,

“I’ve been working on the songs for this record for over the last three years – since 2016, the year I moved to the US.  I’ve called the ep ‘HOLY‘  which felt like a really powerful statement.  In the Jewish tradition I grew up in, what was holy was dictated to me.  Which words, items and actions and even which people were holy was dictated to me.  To elevate my life, my songs, my experiences and my voice (which was not allowed to be heard unaccompanied in my synagogue), to call them holy is incredibly empowering.  It’s a challenge to those who want to use concepts of holiness and the sacred to create hierarchies, often placing themselves at the top.  I hope it will inspire people to decide for themselves what is holy and sacred to them.”
 
Shelley has been living and working in the US since 2016, and in between touring the country and writing music for her own project, Shelley has done everything from writing for musicals, for Estonian pop star ELYSA, and Dutch artist Glennis Grace, among others.  She has also worked tirelessly for charity group One Law For All, writing two songs for the organisation and reciving the CEMB Award (Council of Ex-Muslims of Britain) for her contributions.  Always busy with multiple thought-provoking projects on the go at once, Shelley is currently working on the music for a documentary (entitled Transmission Love) about a young transgender girl growing up in LA, as well as a conservation-themed EP with a science educator and biologist about the Puget Sound Watershed in Washington State.

Pre-Order Holly Now

https://ditto.fm/holy

Shelly Segal Hit’s all The Right Notes with New Single ‘NO’

 

 

 

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Inner 29 Bring Pop-Punk/Emo To the Scene with New Music


Inner 29 Bring Pop-Punk/Emo To the Scene with New Music

Pop-Punk Emo BandBrand new EP from Brazilian based pop-punk/emo band –  INNER 29  . Full of catchy choruses and punchy guitar and piano driven pop-punk music. Fans of Something Corporate, Blink-182, Motion City Soundtrack, Relient K, Homegrown, Jimmy Eat World, Armor For Sleep, and Brandtson will find something to instantly enjoy about this new band.

About INNER 29:

A Brazilian three-piece band that is ready to show the world they mean business, INNER 29 is a living example that the youthful feel of Pop-Punk is something anyone anywhere can enjoy.

It all started out as a project by Mateus Freitas (Vocals, Guitar, Piano), who produced and recorded some demos in his bedroom in early 2018. He sent the songs to his closest friends, and based on their feedback, decided to record an EP on a professional studio, under the name Inner 29. He then invited two friends to join the group, Anderson Leonardo (Bass, BV) and Alexandre Junior (Guitar, BV).

Inspired by bands like Relient K, Mae, and Jimmy Eat World, and set out to make memorable music, they tracked their debut EP. “As far as sound and production, Inner 29 is quite impressive; in fact, the whole EP sounds like it was touched on by the finest producers available”, wrote Jesus Freak Hideout music reviewer Scott Fryberger on the record. Warm-heartedly received by their town’s scene, the debut also caught the attention of US-based record label Indie Vision Music.

Though distributed independently at first, the EP “Now and Again, Here” will be rereleased through IVM, remixed, with new artwork, mastering by Troy Glessner (New Found Glory, Neck Deep, Emery), and with two new songs.
Bringing a refreshing take on Pop-Punk/Emo to the scene, with sound and aesthetic reminiscent of the 2000’s and thoughtful lyrics, Inner 29 is a band to keep an eye on. The story is just beginning!

 

 

   

 

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New Single ‘Live and Love’ Inspired to Simply Learn to Be, from Borza


New Single ‘Live and Love’ Inspired to Simply Learn to Be, from Borza

Indie Artist

Borza is British born Persian Québéquois, living & travelling between Canada & Europe trying to spread as much love as possible through his music; or at least as much as a human can do so for now. 

His main interest & goal with music is to have listeners experience the natural synergie that music has with spirituality.
Borza believes that music can help to heal people in different ways.

His love for musical projects filled up many years, working with many artists that have a conscious message to send out into the world for encouragement and inspiration to others.

Borza has helped with his playing, writing, producing and engineering on recordings with new artists and impressive established artists such as such as the McGarrigle sisters, Emmylou Harris to Lauryn Hill.

However Borza felt that time had come; that moment he noticed his musical endeavours did not feel complete. Borza felt that he didn’t complete & put out his records as well amongst his fellow artist friends and partners.

Borza first release was an alternative/folk EP called “playing with time” in December 2016, and this year he is looking to finalize a full length album that will have the essences of alternative pop, folk & reggae. 

The soon to be released album is being produced by his dear friend and producer Malcolm Burn who has produced music for the likes of Bob Dylan, Iggy Pop, Emmylou Harris, and Daniel Lanois.

His 1st single “Be Amazing” from the upcoming record was released on April 26th 2019 and has been added to more than 325 playlists on Spotify to date.

Borza’s songs & music are about the enlightenments he has had that’s helped him with different situations in life, and he likes to share these moments with people, just like he does with his friends & family.

Borza‘s new single “Live and Love” is a folk-inspired alt-pop track about letting go and to simply be.

‘Live and Love’ Available on these streaming services

Soundcloud | Spotify 

New Single ‘Live and Love’ Inspired to Simply Learn to Be, from Borza

 

    

 

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Kill Chicago Releases New Music from ForthComing album 


Kill Chicago Releases New Music from ForthComing Album12

Indie Rock Band

Kill Chicago have a careful knack for weaving heartfelt messages through boisterous rock’n’roll. Natural storytellers with a political core, this New Brunswick-based quartet has made a name for itself through electrifying live shows and an honesty that reflects their blue collar history. Their new album, The Fix (releases November 8th, 2019) amplifies their dissent with relatable working class anthems, breaking the fever dream of societal expectations.

Digging deeper into their storytelling roots, The Fix sees Kill Chicago take aim at contemporary issues – education, economy and the politicization of the modern era – while relating the personal subject of mental shifts that accompany parenthood. Lead songwriter Greg Webber notes “Having my daughter has made me think about the concept of self-improvement. It seems like we’re always trying to fix some part of ourselves, but when we were kids our concerns were less internal. Why do we see ourselves as broken?”. The Fix challenges these concepts head-on, with a full arsenal of guest performers & expanded sonic territory that make it their strongest, most cohesive album yet.

The release of The Fix follows some much deserved accolades, with their previous album, The Grey, being awarded Music NB’s Album of The Year (2016), and performing on the ECMA’s Rising Star stage (2018) as well as a slew of regional festival slots.

Kill Chicago are nothing if not dedicated members of their local community. When not performing, Greg Webber (guitar/vox) teaches music at Fredericton High, developing the next generation of artists; Drummer Zach Atkinson is owner and promoter at the legendary venue The Capital, and both Matt Bowie (bass) and Dillon Anthony (guitar/keyboards) are seasoned veterans of the east coast music scene. Together, they’re politically-charged and community-minded, thick-skinned but with a sentimental core.

Kill Chicago is a group that’s gained the grit of experience. They’ve been on both sides of the fence but know that grass is only greener when you put the time in to make it that way. Writing songs for the working class and building up the bereft. The Fix is meant to be one thing… good medicine for good people.

Kill Chicago has just released a single from their forthcoming album, ‘Moonlight’.

Moonlight is one of my oldest songs. It was written on a stoop in Vancouver on the classical guitar I was using to get my music degree with. The song was given new life when I asked the 88 member Concert Band I direct to sing the gang vocal. Our producer Brad Perry was listening to what we had laid down for the track and said “It sounds like you’re trying to be 100 people, but you’re only 3. So unless you have access to 100 different voices at once, we need to cut that part out.” I returned a few weeks later having recorded the High School students at the end of pour last rehearsal before Christmas break. Their energy gives me goosebumps every time.

 

   

 

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New Music from Anthony James; Perfect Example Of Indie Music


New Music from Anthony James; Perfect Example Of Indie Music

Indie Artist

Refreshing pop rock new music from Perth singer songwriter, Anthony James, carries out an invigorating drive of fusion between an electronic dance bass and rock guitar, giving his new song, ‘Existence’ some serious credit.  

At the heart of every Anthony James song is a beat you can’t ignore, beckoning your hips to get up and dance. The Australian-born Londoner espouses irresistible rhythms to catchy, bittersweet hooks and driving guitar lines. The end result is pop music with a gritty edge… the perfect array of loveable melodies with a tinge of heightened emotion.

 

When asked about ‘Existence’, Anthony stated:

“Existence is about living life on auto-pilot and never fully tapping into our potential. The music was written in summer in Australia and the lyrics written in winter in the UK”

 

Taking his cues from acts like FoalsThe Strokes and Beck and incorporating elements of indie and alternative – Anthony James’ music is deeply inspired by household names, but always stays true to his unique sound.

If anyone asks what is indie musicAnthony James is a perfect example, from creating unique sounds through production, blending strong melodies along side his soulful vocal tone, making his new single ‘Existence’, truely warranting the accolade and example of a real indie music gem.  

Available for Streaming on:

Spotify

New Music from Anthony James; Perfect Example Of Indie Music

 

 

 

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Perky Disco DAnce Pop New Music from Les Loups Gets You Hooked


Perky Disco Dance Pop New Music from Les Loups Gets You Hooked

Dance Band

Les Loups new music release will get you well and truely hooked and dancing. With finger snapping electro sounds that sits up close, you can’t help but feel that perhaps the cool melodic sounds and dry beats of the 80’s dance era are making a comeback. And that puts a big smile on my face! 

There is a certain familiarity about the new song ‘Jadded’ that I like; or maybe it’s because the swooping electro keys and sound of space remind me of an all time favourite song of mine. 

And the vocals of Brock are divine of course. Les Loups has just gained another fan. 

More about Les Loups:

By exploring genres and shifting boundaries, Les Loups’ music is a melting pot of modern dance and electronic music as well as organic and raw elements from dusty disco to glowing pop.

Grewing up in the same neighbourhood in their hometown in Germany, Toni, Phil and Felix started out with producing sample-based and ‘straight-to-the-dancefloor’ house music back in 2010. They soon realised that Les Loups could evolve into something more ambitious and tread a new path.

Their popularity grew bigger as they released the summer hit ‘Colourblind’ in 2014, which introduced the amazing Cybil from London. It premiered on Majestic Casual and gained 5+ million overall streams. The follow-up single “Stay“ featured danish soul talent Marie Dahlstrøm. It was critically acclaimed and received the Scandinavian Soul Award for “Best Single 2015“. The release of their debut EP “Arcanum” in August 2016 marked another step stone for the group, as it further crystalized the “Les Loups“ signature sound.

Over the years, they established themselves as well-known DJs, by starting from being a small resident act in their hometown Hanover to performing in cities all over the World, including Paris, Milan, Barcelona, Montreal and many more. They shared the stage with legends like Mousse T., Busy P. or Cassius, but also contemporary greats like of FKJ, Roosevelt or Moon Boots.

In 2019 they’re about to release their first original track in three years. “Jaded” features LA- based singer Brock and is the precursor of more Les Loups music to come.

Perky Disco Dance Pop New Music from Les Loups Gets You Hooked

 

    

 

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Patrice Peris New Single ‘Drowning’ Is Pop Music With Style


Patrice Peris New Single ‘Drowning’ Is Pop Music With Style

Indie ArtistPatrice Peris  is at it again with her latest single release “Drowning.”

I have to say, this is most likely the best I’ve heard Patrice sing with an expressive vocal creating an original and unique style and essence with ‘Drowning’.

‘Drowning’ is one of those songs that you still hear after you stop playing it, which is a good indicator of a well written catchy pop song. 

The production entails a driving beat drum loop which moves the track along. 

‘Downing’ is radiating off the heels of the success of her previous single, “The War,” which, between the acoustic and remixed version, accumulated a combined viewing total of over 100k. Peris’ newest Pop/Dance track plays again with a fun uptempo beat with more serious lyrical content.

When discussing the meaning behind the song and her choice to go the same route stylistically as “The War,” Peris, says,

“For me, I feel like the best way to express myself as an artist is through lyrical content. But in the same sense, a big part of me is not serious and sad all the time so to combine the elements of pop dance, up-tempo tracks with more emotional, thought-provoking lyrical content is kind of the best marriage of the two worlds. I don’t know anyone who has not been around someone who just kind of sucked the life out of them. Drowning came about from this idea. I use the metaphor of drowning because in these relationships it is almost like they drain you of your energy, leaving you lifeless.” 

“Drowning” is now available on all music streaming platforms!

 

   

 

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